Earlier this year, at the end of April, I was packing and preparing to move to Venice for two months. I’d been hired for an internship with the Peggy Guggenheim Collection, and I was excited to be going back to Italy: in 2013, I’d lived in Rome for a summer and studied in Bologna, but […]Read Post ›
In the current sociopolitical climate, I’ve been engaging with art that explicitly functions as psychological release or as a social or political agent. Art can take a stand, art can unite and art can heal. But is there still room to think about art that is simply for looking at? Can art be cosmetic instead […]Read Post ›
Maybe you’ve seen our series “Profiles in Art” , which follows female professionals in the visual arts. But were you ever curious about the writers here at the Female Gaze? Wonder no more because this week we’re sitting down and answering the questions we’ve sent out to our interviewees. We are feminist scholars that all came […]Read Post ›
Alexander Hamilton’s life story, for all its drama, was always an unlikely source for a smash hit on Broadway. Hamilton favored rule by the elite in an already elitist society. He was adulterous, impulsive and privileged. But Lin-Manuel Miranda, like many musical theatre composers before him, saw in this unlikely source the chance to reform […]Read Post ›
Lin-Manuel Miranda was first introduced to the Schuyler sisters while on vacation.
“We are living in the age of Hamilton,” admitted Annette Gordon-Reed at a recent book talk. Reed’s comment is surprising: she’s a leading scholar on Thomas Jefferson, Hamilton’s rival. But her praise is not; nowadays, everyone loves Hamilton.
On a sunny May day, I set off for a relaxing and romantic stroll-through a graveyard.
