Written and edited by Katie Constantine & Tiffany Chan All images property of Netflix On the last day of AAPI Heritage month this year, Netflix released Always Be My Maybe, co-written and starring Ali Wong, directed by Nahnatchka Khan. The film tells the story of former childhood sweethearts, taking inspiration from the iconic 1990s Nora […]Read Post ›
When building a plot around a protagonist, a writer’s goal is to have the audience root for them. That’s pretty simple to achieve when the hero is considered a good person. The character development becomes complicated when the lead of a movie or show is an antihero. The antihero is usually driven by their negative […]Read Post ›
Whenever one watches a romantic comedy, it’s important to know who’s creating the messaging. Just because the main character’s a woman, doesn’t mean the story portrays a woman’s point of view. In reality, it’s the writer’s point of view, and more than half the time that position is held by a man. There are many […]Read Post ›
On the cover of the book The Outsiders, the author’s name is written as S.E. Hinton. She thought if consumers knew she was a woman, they’d be less likely to buy and praise her book. Therefore, she used her initials to disguise her gender, and the book was a hit. Maybe this seems ridiculous or […]Read Post ›
The best way to become a great screenwriter is by watching and reading movies with fantastic writing that inspire us to take a deeper look at the structures, dialogue, and character or world building within them. It’s also helpful to watch them when you’re feeling uninspired, to give yourself that little spark to get you […]Read Post ›
It’s no secret that race and gender have been hot-button topics in the entertainment industry, especially lately. There have been valid complaints about the lack of diversity, representation, and multidimensional female characters in films and TV, but one of the most underrated critique is the white savior trope, which is when a film is all […]Read Post ›
Crazy Rich Asians dominated the American box offices in August and has been the topic of much conversation in the Asian American community since the trailer was first released in the Spring. This is the first Hollywood film since 1993’s Joy Luck Club with a full cast of Asian American leads (which incidentally uses some […]Read Post ›
It could be that we’re having an ‘80s revival where the masses are craving teenage coming-of-age films, but the production time and clichés that worked for John Hughes back then aren’t translating to today’s audiences.
I am sick of watching television shows that paint women in their 20’s as codependent, emotionally infantile, and shallow people, not to mention completely lacking the real mindset of young women. I find shows like Girls to be insulting because they claim to represent women my age (25), but all I see are whiny spoiled […]Read Post ›
One could very easily write a long research paper about Black Panther. Much has already been said about the importance of its powerful and groundbreaking mainstream representation, from Time Magazine’s February 19 cover story by Jamil Smith, to the Twitter campaign #WhatBlackPantherMeanstoMe begun by Kayla Sutton of the website Black Girl Nerds, to a flood […]Read Post ›
