Written by Katie Constantine Edited by Tiffany Chan and Kathryn Cooperman It’s clear why Minari, an indie movie based on the childhood of writer/director Lee Isaac Chung, is nominated for Best Screenplay at the 2021 Academy Awards. Set in the 1980’s, Minari follows the Yi’s, a Korean-American family that moves from a city in California […]Read Post ›
With many of you stuck at home during this pandemic, we understand that your days have become less structured, which often leads to a decrease in productivity. We developed these top 4 screenwriting challenges to do during quarantine in order for you to reclaim a bit of that missing structure while stimulating creativity and working […]Read Post ›
When building a plot around a protagonist, a writer’s goal is to have the audience root for them. That’s pretty simple to achieve when the hero is considered a good person. The character development becomes complicated when the lead of a movie or show is an antihero. The antihero is usually driven by their negative […]Read Post ›
Whenever one watches a romantic comedy, it’s important to know who’s creating the messaging. Just because the main character’s a woman, doesn’t mean the story portrays a woman’s point of view. In reality, it’s the writer’s point of view, and more than half the time that position is held by a man. There are many […]Read Post ›
This past week I have been enamored by the television show Schitt’s Creek, which is written and produced by the dynamic duo Eugene and Dan Levy. For the first three episodes, I found the characters to be hilarious and engaging, but something about the episodes felt different. I couldn’t quite put my finger on it, […]Read Post ›
